Sunday, September 30, 2007

PHILLIES - NATIONAL LEAGUE EAST CHAMPS ! ! !


PHILADELPHIA — Shane Victorino doused the fans with a fire hose, Brett Myers and Ryan Howard jumped into the stands to join the celebration and Hall of Fame announcer Harry Kalas sang "High Hopes" over the public address system. Believe it, Philly. The Fightin' Phils are going to the playoffs — just as Jimmy Rollins predicted way back in January.

"There's only one more celebration to try and go for now and that's the whole thing," Howard said.

Considered all-but-out of contention just 2 1/2 weeks ago, the Philadelphia Phillies overcame a huge deficit in the standings, caught the Mets and won their first NL East title since 1993 on the final day.

Howard hit his 47th homer, 44-year-old Jamie Moyer pitched 5 1-3 gutsy innings and the Phillies, backed by a crowd going crazy, beat Washington 6-1 Sunday to end a 14-year playoff drought.

Myers tossed his glove underhanded straight in the air and jumped off the mound after striking out Wily Mo Pena to end it. Pat Burrell ran out of the dugout and hugged Myers and everyone piled on.

The party was on, and it lasted for hours right there on the field, thousands of fans staying to enjoy a rare moment in Philly.

"This has been an incredible ride and we've got to keep going," Burrell said.

The Phillies also needed help up I-95 to clinch, and got it from Florida. The Marlins beat the Mets 8-1 to ensure there wouldn't be a tiebreaker playoff game on Monday.

Philadelphia rallied from seven games down on Sept. 12, matching the biggest September comeback in major league history. The Phillies and the Mets went into the last day tied for the division lead.

Now, it's the Phillies who are advancing to the postseason for only the 10th time in their history. They'll host Game 1 of the first round Wednesday against the winner of Monday's wild-card tiebreaker between San Diego and Colorado.

Somehow it seemed fitting the Phillies enjoyed success the same season they became the first team in professional sports to lose 10,000 games.

A team known for one of the biggest collapses in baseball — they blew a 6 1/2-game lead with 12 games left in the 1964 NL race — took advantage of a colossal fold to finish first. The Phils won 13 of their last 17 and wound up 89-73.

The Phillies' long-suffering fans are quite familiar with heartbreak and failure. One World Series championship (1980) in 125 years makes for plenty of disappointing finishes, especially in recent seasons.

In 2005, the Phillies were eliminated on the final day. Last year, they were knocked out on the next-to-last day of the season.

Finally, the die-hards have reason to celebrate.

Guided by heavily criticized manager Charlie Manuel, Philadelphia overcame a 4-11 start and numerous injuries to key players. Yet even in mid-September, the comeback kids — they rallied for 48 come-from-behind wins this season — never gave up.

"No matter what the stakes are, we're never going to quit," center fielder Aaron Rowand said.

Many players admitted they shifted their focus to the wild-card race earlier this month. Once the Mets started free-falling, helped by Philadelphia's three-game sweep at Shea Stadium on Sept. 14-16, winning the division became a possibility.

No major league team failed to finish first after having at least a seven-game lead with 17 to play. The Phillies joined the 1934 Cardinals and 1938 Cubs as the only teams to overcome seven-game deficits in the final month.

"The Mets just hit a bad streak, and we were able to take advantage," general manager Pat Gillick said.

The Phillies hadn't spent a day in first place until tying the Mets on Thursday night. They moved into sole possession of first Friday, but gave it right back with a loss on Saturday.

Before they took the field against the Nationals, the Phillies looked up at the out-of-town scoreboard and saw the Mets were trailing 7-0. And, you didn't have to be inside the ballpark to know that score.

When the Marlins scored their fourth run in a seven-run first inning, one tailgater leaped high in the air off the back of his flatbed pickup, landing feet-first on a plastic Mets helmet, crushing it into tiny pieces. His buddies circled around and mocked New York fans with "Jo-se, Jose, Jose, Jose, Jo-se, Jo-se!" in the singsong pattern of soccer's "Ole" chant.

Jose Reyes isn't going to the playoffs, but Rollins is on his way. Rollins took heat for boldly predicting last winter that the Phillies were the team to beat in the NL East. Rollins backed up his words with an MVP-caliber season, and added one more highlight to a sensational year with an RBI triple in the sixth.

"I'm no prophet, just a baseball player," Rollins said.

With the crowd emphatically chanting "M-V-P!" during Rollins' at-bat, he lined his 20th triple into the right-field corner for a 5-1 lead.

Sensing something special, the sellout crowd at Citizens Bank Park never chanted "E-A-G-L-E-S!" Sunday or during the six-game homestand.

Not since the days of the Dude and Wild Thing — Lenny Dykstra and Mitch Williams — has a Phillies team captured the hearts of a city starved for a championship. The NBA's 76ers were the last to win a title in 1983.

And leave it to a native son to deliver at a crucial time. While fellow 40-something Tom Glavine struggled for the Mets, Moyer (14-12) was sharp. Moyer grew up in nearby Souderton and played hooky from school to attend the Phillies' victory parade on Broad Street in 1980.

The crafty left-hander allowed one unearned run and five hits, striking out six. He baffled hitters with a typical mix of offspeed pitches and barely 80-mph fastball.

"I'd like to be going down Broad Street again on one of those floats instead of watching the floats go by," Moyer said.

Tom Gordon, J.C. Romero and Myers finished it off with 3 2-3 scoreless innings.

Rollins singled leading off the bottom of the first against Jason Bergmann (6-6). He stole second and third and scored on Chase Utley's sacrifice fly to give the Phillies a 1-0 lead.

In the third, Howard made it 3-0 with a two-out, two-run single. His solo shot in the seventh capped the scoring.

Valeria Ferrari


Valeria Ferrari - hot by name and just as hot by nature.


She's definitely one horny bitch who is always so ready to play with your hard cock so come on in and have some fun.


She's ready for it and she wants to start right now!

Adriana Morena


Adriana is one hot babe who loves to have fun. She'll tease you and get you all hot and horny and then she'll spread her legs
and beg you to drive your cock deep into her wet pussy.


She's waiting for you right now so come on in and have some fun with her .

SCARLETT JOHANNSON "GLAMOUR GIRL"



JENNIFER IS SUCH A POPULAR NAME

JENNIFER CONNELLY,JENNIFER LEIGH,OR JENNIFER LOPEZ ???


WINONA RIDER - NEW MORE MATURE LOOK ?




KUDOS TO WINONA FOR USING MARISA TOMEI AS A FASHION ACCESSORY !!!

HOT ISRAEL - SEXIEST ARMY IN THE WORLD !

APPARENTLY ITS NOT ALL ABOUT SOCIAL AND RELIGIOUS REPRESSION ANYMORE !!!

HILARIOUS CELL PHONE MISHAP ! ! !

Saturday, September 29, 2007

OPRAH STILL THE RICHEST CELEBRITY

I THINK OPRAH IS HOT... LIKE $260 MILLION HOT !!!


Forbes' latest list of highest-paid TV celebrities proves it pays to be on daytime television.

The financial magazine had Oprah Winfrey leading the way by a mile, with an astonishing $260 million in earnings between June 2006 and June 2007, Reuters reports.

Second in the list was "Bee Movie" star Jerry Seinfeld earning $60 million, mostly from "Seinfeld" reruns.

Next was another talk show host, David Letterman, who landed at No. 4, taking in $40 million from his "Late Night with David Letterman."

"American Idol" sour puss Simon Cowell earned $45 million to land at No. 3, and "Apprentice" grump Donald Trump was No. 5 with $32 million.

"The View" star and co-owner Barbara Walters landed at No. 18 with $12 million.




Here's the full top 20:

1. Oprah Winfrey, $260 million

2. Jerry Seinfeld, $60 million

3. Simon Cowell, $45 million

4. David Letterman, $40 million

6. Jay Leno, $32 million

7. Dr. Phil McGraw, $30 million

8. "Judge" Judy Sheindlin, $30 million

9. George Lopez, $26 million

10. Kiefer Sutherland, $22 million

11. Regis Philbin, $21 million

12. Tyra Banks, $18 million

13. Rachael Ray, $16 million,

14. Katie Couric, $15 million

15. Ellen DeGeneres, $15 million

16. Ryan Seacrest, $14 million

17. Matt Lauer, $13 million

18, Barbara Walters, $12 million

19. Diane Sawyer, $12 million

20. Meredith Vieira, $10 million

ORPHANED HEDGEHOGS ADOPT BRUSH MOTHER




Four tiny orpahned hedgehogs are snuggling up to the bristles of a cleaning brush - because they think it's their mother.

The four inch long creatures are being hand-reared by staff at the New Forest Otter, Owl and Wildlife Park in Ashurst, Hants.

Workers say Mary, Mungo, Midge and Slappy get comfort from playing with the centre's cleaning brush and enjoy rubbing against it.

Daft as a brush: These orphaned hedgehogs snuggle up to thier adoptive brush mother
Enlarge the image

The smells on the brush, which is used to sweep a yard, remind the hedgehogs of their natural habitat while the texture reminds them of their mother.

Manager John Crooks, 41, said: "They are a bit like human babies - they need activities to keep them busy.

"Because they have very poor eyesight you have to appeal to their sense of smell and touch by giving them different scents and textures.

"They like natural scents and have enjoyed playing with our cleaning brushes, soil, leaves, flower pots and the like.

"They particularly seem to enjoy rubbing against the brush.

"It may sound odd but I imagine the bristles feel a bit like their mum."

Friday, September 28, 2007

final Halo 3 Golden Skull found FTW!

The final Halo 3 Golden Skull has been found (the one unlocking the Hayabusha helmet when all other skulls have been collected).

It's Free, It's 3, It's D!

Baltimore's Free Fall Films in 3-D Bonanza



These are the salad days for 3-D film fans.

On 7 p.m. on Wednesday, October 3, the programming gods at the Maryland Film Festival are presenting a one-time free screening of Alfred Hitchcock's DIAL M FOR MURDER in dual-projector 3-D at the Charles Theatre!

Here's a capsule review (courtesy of Midnight Movies author J. Hoberman) from the Charles' website:
Dial M for Murder was by far the most visually compelling of studio stereoscopic movies— rivaled only by Jack Arnold's half-underwater Creature From the Black Lagoon. Taken from a hit Broadway play, Dial M is a genteel thriller. A reptilian ex tennis champ (Ray Milland) decides to eliminate his wealthy, unfaithful wife (Grace Kelly), and blackmails an old schoolmate to do the job; when Kelly unexpectedly dispatches her attacker with a pair of scissors, Milland shifts gears to have her framed. Perhaps 90 percent of the action is confined to the couple's cramped, incongruously dowdy living room, but Hitchcock made no attempt to open the piece up. While other 3-D productions assaulted audiences with hurtling tomahawks or Jane Russell's bosom, Hitchcock positioned his actors behind a fussy clutter of monumentalized bric-a-brac and made visual jokes out of rear-screen projection. The lone use of the proscenium-breaking projectile effect is reserved for the murder sequence.... Hitchcock's canny restraint allows the stereo image to assert its own uncanny characteristic.

The Charles promises more free 3-D films throughout October, including THE MAD MAGICIAN (10/10) and HOUSE OF WAX (10/17) - both starring the King of 3-D, Vincent Price (who made four 3-D films in his illustrious career), and previously presented by Sun film critic Chris Kaltenbach at Maryland Film Festivals past - and the 3-D musical KISS ME KATE(10/24). The latter was directed by George Sidney, one of the earliest experimenters with 3-D technique, having directed an MGM "Pete Smith Specialty" short called THIRD DIMENSIONAL MURDER back in 1941.

Of course, the "Warnercolor" HOUSE OF WAX is considered the quintessential stereoscopic film. Ironically, one-eyed director Alex de Toth couldn't see 3-D, but he overcame his monovision with an uncanny sense of framing and perspective. Meanwhile producer Jack Warner's insistence of filling the film with 3-D gags resulted in the famous paddle ball scene with Reggie Rymal. And the black and white print of THE MAD MAGICIAN (an obvious but enjoyable knock-off of HOUSE OF WAX) that the Maryland Film Festival screened two years ago is outstanding.

Not to be outdone, the Enoch Pratt Free Library will present two free 3-D films at the end of October and the first week of November at its Central Library location on 400 Cathedral Street. And why not? This past July, so many people showed up for Pratt's 3-D screening of THE CREATURE FROM THE BLACK LAGOON (1953) - considered, along with HOUSE OF WAX, to be one of the greatest 3-D films of all-time - that they ran out of 3-D glasses. The people have spoken, and Pratt is answering their call (with extra supplies of 3-D specs this time around!).

On Saturday, October 27 at 2.pm., the Pratt screens the 1961 Canadian cult horror rarity THE MASK for its Halloween treat. Here's the program description from the Pratt's online film events calendar:
THE MASK (1961) IN 3-D
(Directed by Julian Roffman, Canada, 1961, 83 minutes, b&w with color 3-D sequences)

Though it shares the same title as the 1994 Jim Carrey comedy, this little-known 1961 low-budget Canadian horror movie - parts of which were filmed in 3-D - is far from a comedy.

When a young archaeologist commits suicide after wearing a mask that causes weird hallucinations and possibly murder, the mask falls into the hands of his psychiatrist Dr. Barnes, who is soon plunged into the addictive nightmare world of the mask. Whenever the narrator instructs you to "Put the Mask on now!", put on the provided 3-D specs to see some truly eerie nightmare sequences.

This cult film provided the cover illustration of V. Juno's Incredibly Strange Films book and has been called a metaphor for drug experimentation, with the surrealistic color dream sequences anticipating such 60s drug culture films as The Trip and Psych-Out.

Then on Saturday, November 3 at 2 p.m., Pratt presents a free 3-D screening of Jack Arnold's IT CAME FROM OUTER SPACE (1953). Here's the description from Pratt's online events calendar:
IT CAME FROM OUTER SPACE IN 3-D
(Directed by Jack Arnold, 1953, 81 minutes, b &w)

It Came From Outer Space is one of the classic 1950s sci-fi films. Based on a story by Ray Bradbury and directed by Universal Studios veteran Jack Arnold (The Creature from the Black Lagoon, The Incredible Shrinking Man), it was unusual among sci-fi films of its time because it portrayed alien invaders as non-threatening creatures – this at the height of '50s Cold War nuclear paranoia. And, despite being filmed in gimmicky 3-D, it was an "A" production with good special effects and a solid cast of Richard Carlson, Barbara Rush, Charles Drake, Kathleen Hughes and a young Russell Johnson (who would go on to play The Professor in Gilligan’s Island). The film has been interpreted as a metaphorical refutation of the xenophobic attitudes and ideology of the Cold War.

So if you think Baltimore's a one-dimensional town, think again. And get a good center seat to enjoy these stereoscopic cinematic treats!

MILLA JOVOVICH - 193LBS & PREGNANT !

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WHAT'S IN A TWINKIE ???


(CBS) NEW YORK America is well-known across the globe as a country with an obesity problem, a problem that's become so bad, our snacking habits have turned us into a so-called "Twinkie nation."

Over 500 million of the popular golden cakes are sold each year, but what exactly are they made of? CBS 2's Dr. Holly Phillips decided to dissect the anatomy of a Twinkie, worshiped today on sites across the Web and even on the big screen.

Dr. Phillips says there are 39 ingredients packed into the dessert, and all but one are processed.

The ingredients cellulose gum, calcium sulfate, and polysorbate 60 are also used in sheetrock, shampoo, laundry detergent, and even rocket fuel. Author Steve Ettlinger spent five years tracking down the source of every ingredient found in a Twinkie.

"I was surprised that so many not only came from petroleum, but at least five came from rocks," Ettlinger says.

The vitamins, artificial flavors, and colorings all come from petroleum. Phosphates from limestone make Twinkies light and airy.

"Sorbic acid is made from natural gas. That really blew my mind," Ettlinger says.

And the creamy middle?

"There is no cream in the cream, as they say. It's mostly Crisco," Ettlinger says.

Processed foods have been indicted as the main contributor to our childhood obesity epidemic. The 290 calories and nine grams of fat are less-than-friendly to our coronary arteries.

Hostess, the maker of Twinkies, issued a statement about the Twinkie's anatomy:

"Deconstructing the Twinkie is like trying to deconstruct the universe. We think the millions of people would agree that Twinkies just taste great."

Ettlinger says there is no denying a Twinkie is far from a health food. "It is what it is. If you want healthy, if you want something good for you, eat your broccoli," he says.

And while snacking can help boost energy throughout the day, research shows that processed, high-sugar snacks give quick jolts followed by even more fatigue. When it comes to those guilty pleasures, moderation is key.

RESCUE OF BABY BLACK BEAR FROM BRIDGE

TOSCANI'S NUDE ANOREXIA BILLBOARD


Italy's anti-anorexia ads have divided France's powerful fashion industry -- with the high end couture federation deeming them "scandalous" while its ready-to-wear cousin hails a fresh move to keep skinny models out of fashion.

Asked to comment on photographer Oliviero Toscani's striking image of a nude anorexic woman which was plastered on billboards and in magazines across Italy this week, Didier Grumbach, head of the French Couture Federation, told AFP:

"I'm pleased this is not happening in France. I find this absolutely scandalous.

"Winning notoriety through people's illness is painful. What we're seeing here is sensationalism by a label, to the detriment of an extremely serious social problem," Grumbach said.

Toscani's picture of Frenchwoman Isabelle Caro, who weighs just 32 kilogrammes (70 pounds) for a height of 1.65 metres, is part of a campaign by Italian clothing firm No-l-ita that was launched in the middle of Milan fashion week under the slogan "No to Anorexia."

"I thought this could be a chance to use my suffering to get a message across, and finally put an image on what thinness represents and the danger it leads to -- which is death," Caro told the press this week.

The French fashion industry, gearing up for its own spring-summer ready-to-wear Fashion Week starting Saturday, to date has failed to finalise a proposed charter to keep ultra thin models off catwalks, magazines and advertising posters.

"This young girl is not a model," Grumbach also told AFP. "This is low behaviour ... It is degrading."

But the head of the French Ready-to-Wear Federation, Jean-Pierre Mocho, did not agree.

"If you don't show people (anorexia) it remains nothing more than dinner-table talk," he told AFP. "You must show the disaster."

Mocho said his federation favoured a raft of stiff measures in France to meet growing global concerns over the link between showcasing skinny bodies and anorexia.

"Whatever the size of a company, measures should be imposed," he said.

Mocho bemoaned the fact that France was heading towards drawing up a consensus charter containing guidelines but no legal provisos.

Leaders of both France's powerful couture world and the ready-to-wear industry had joined a working-group set up by the Health Ministry in January amid concern over teenage anorexia following the death of two South American models last year.

But talks to fine-tune an ethics "charter on body image" drafted in May were suspended and will not resume until next month, a ministry official said.

In France, agencies require a government-registered licence and must request special authorisation for models aged under 16, who undergo regular medical check-ups.

Also asked for comment, the head of the National Union of Model Agencies (UNAM), Isabelle Saint-Felix, said she was unaware of the Italian campaign but believed that anorexia and thin models should not be lumped together.

"We have extremely specific legislation in France for model agencies," she said. "We should do more to promote our laws rather than anything else."

Thursday, September 27, 2007

sexy Victoria Silvstedt posing in lingerie..

Victoria Silvstedt is always good..
Victoria Silvstedt HQVictoria Silvstedt HQVictoria Silvstedt HQVictoria Silvstedt HQVictoria Silvstedt HQVictoria Silvstedt HQ

Earlier post here.

Halo 3 Gold Skulls video tutorial..

Halo 3 is out, time to get cracking at the achievements. Here's a great instructional video on how to get to the Gold Skulls. For those still wondering what they do, check out this FAQ on Campaign Scoring from Bungie. GameVideos.com has an entire Halo 3 section with many more guides.


I am deeply impressed with the multiplayer on Halo 3, but moreso with the new Theater section. I taped this game, but while recording I switched camera angles, including goofing around with the flying cam. When I replayed my clip, I was shocked to see it grabbed the entire sequence using the perspectives I used. So in effect, it gives you control over a limitless number of cameras, which can all roam free while the action is replayed.

Now if Bungie or some smart guy could come up with a way to easily convert the videos to an online format, look to yout00b being swamped with productions previously only reserved to clans like Hollywood Halo. Seriously, all it takes is a few friends, a small script, and you're set -except for the ability to easily edit the scenes on your pc.

J - LO'S BACK IN ARENA MAGAZINE ! ! !






NOTICE I DID NOT GO FOR THE CHEAP "GOT BACK" JOKE, THAT'S CALLED DISCIPLINE !

AUSSIES SET WORLD RECORD BIKINI POSE



hot Italian model Elisabetta Canalis pics..

sexy Italian babe Elisabetta Canalis..
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sexy Eva Mendes shoot by Ellen Von Unwerth..

Eva Mendes by Ellen Von Unwerth..
Eva Mendes by Ellen Von Unwerth
Eva Mendes by Ellen Von UnwerthEva Mendes by Ellen Von UnwerthEva Mendes by Ellen Von UnwerthEva Mendes by Ellen Von UnwerthEva Mendes by Ellen Von Unwerth